7 years ago
114 results found for: night moves
The Year in Film, Superlatives (Part 1)
Movie Mezzanine's writers and editors begin the weeklong event of talking about the best in film in 2016, starting with superlative categories.
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Hell Hath No Fury
Emma Stefansky writes about the connections between Tony Scott's "The Hunger" and the new film "The Love Witch."
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Now Playing: NYFF 2016 Wrap-Up
In this week's critic-at-large column, Vikram Murthi wraps up his coverage of the 2016 New York Film Festival.
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NYFF 2016: “Gimme Danger” and “Paterson”
Vikram Murthi reviews Jim Jarmusch's two new films, "Gimme Danger" and "Paterson," from the New York Film Festival.
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Humanity Beyond Time: On “Will You Dance With Me?”
Daniel Walber writes about the recent world-premiere run of Derek Jarman's 1984 disco-themed film "Will You Dance With Me?"
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“Don’t Think Twice” and The Metrics of Comedic Success
Comedian Fran Hoepfner writes about the unique and distinctive qualities of Mike Birbiglia's improv comedy-themed "Don't Think Twice."
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The Legacy of “Point Break”
On its 25th anniversary, Angelica Jade Bastién writes about Kathryn Bigelow's action film/exploration of masculinity "Point Break."
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Reasonable Doubt: On “The People v. O.J. Simpson” and “O.J.: Made in America”
Mallory Andrews explores the similarities and differences between the new documentary "O.J.: Made in America," and the recent fictionalized docuseries about his murder trial.
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Now Playing: “High-Rise”
In this week's critic-at-large column, Vikram Murthi reviews the latest film from Ben Wheatley, "High-Rise."
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On Asghar Farhadi’s “Fireworks Wednesday”
An excerpt from Tina Hassannia's book, focusing on Asghar Farhadi's "Fireworks Wednesday."
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