7 years ago
Lars von Trier 10
“I Hate Melodrama In My Own Life”: Tobias Lindholm on “A War”
Piers Marchant interviews Tobias Lindholm, the director of the new film "A War."
Read more →
The Savage Cinematic Beauty of Alexander McQueen
Striking compositions. Immaculate execution. Unapologetic provocations. It may sound like the work of a cinematic enfant terrible like Lars von Trier or Harmony Korine, but from the iconic bumsters to the horn adorned jackets to the infamous 12 inch scaled hee...
Read more →
Sex and Death on Film 101
Sexual education in North American schools is lacklustre to say the least, slowly progressing and occasionally spouting misinformation (it’s supposed to be HOW big?). As a result, many young people first learn about sex and related issues from movies and telev...
Read more →
The Single Cinephile’s Guide to Anti-Valentine’s Day Films
To give you a sense of how I feel about Valentine’s Day, I’ll share two short stories. First, a couple years ago, I had a “platonic” Valentine, for whom I prepared Hershey kisses by removing the paper tags in each and replaced them with various lyrics from Elt...
Read more →
Black and/or White: Race Relations on Film
Why can’t we all just get along? It should be easier than easy to vibe with people from other backgrounds than our own; there should be no obstacles or roadblocks segregating us or just plain old keeping us divided. But it’s 2015, and racial harmony is still a...
Read more →
To Half and Half Not: The Films to Remember from 2010 – 2014
The end of the year is, undoubtedly, a time of reflection: what we’ve experienced, what we’ve learned, how many resolutions we broke and what we’re going to do to rectify that, etc. It is also the time of lists. Lists, lists, lists. The internet in mid to late...
Read more →
Sex(ist): On Cinematic Nudity
No surprise that David Fincher’s adaptation of Gillian Flynn’s controversial best-selling novel Gone Girl became a big hit upon its release. One aspect of the film that generated unexpected chatter, however, was Ben Affleck’s penis. Days (weeks?) after critics...
Read more →
Netflix Weekend 8/15: Lars von Trier and the Terrible, Horrible, No Good, Very Bad Day
This week I’ll be highlighting a filmmaker whom I have a much more complex relationship with than previous entries: Lars von Trier. Anyone who knows me know that I’m often hot and cold on his work, feeling that at his best, he’s transcendent, and at his worst,...
Read more →
Future Panic: Temporal Anxiety in 2014 Films
In her 2006 text "Death 24x a Second: Stillness and the Moving Image," film theorist Laura Mulvey carefully maps out the medium's obsession with death. Celluloid degrades, film preservation provides a finite but eternal life to dead people, and home-viewing of...
Read more →
“I Call Them Dogs”: Lars von Trier Calls Out Rape Culture
Lars von Trier wants to hold us accountable. His films sear and contain a rawness that’s rare in cinema. He shows a small town community protecting people who abuse a fugitive, sexually and emotionally, and a religious culture that allows its elders to be disp...
Read more →
