8 years ago
All posts by Kyle Turner
The Fluid Identity of Janelle Monae
Kyle Turner compares the gender and image fluidity of Janelle Monae to David Bowie and Prince in this essay.
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“Casino Royale” at 10
Kyle Turner looks at "Casino Royale" on its 10th anniversary and connects 007 to the post-9/11 world.
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Trapped in the Closet: “Closet Monster” and Queer Body Horror
Kyle Turner explores the history of body horror in queer cinema in relation to the new film "Closet Monster."
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Ludicrously Tragic Show: On New Camp
On the eve of a restoration of John Waters' "Multiple Maniacs," Kyle Turner writes about the new era of camp in pop culture.
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Exploring Past and Present
in “45 Years”
Set against the black of the screen, the only sound we hear in the opening credits of Andrew Haigh’s 45 Years resembles that of a cartridge changing, as if one of those seemingly ancient negative projectors were being perused, the names and production companie...
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Through a Glass Lovingly: The Cinematography of Todd Haynes
In Todd Haynes’ Carol, the only time we are with Therese Belivet (Rooney Mara) is in the car on the way to Carol Aird’s (Cate Blanchett) home in New Jersey. By “with,” this means when the audience is truly given the opportunity to grasp her mentality and emoti...
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How Timothy Dalton’s James Bond Was The Proto-Daniel Craig
“You were fantastic. We’re free!” Kara Milovy, the blonde sniper-rifle-holstering cellist swoons. “Kara, we’re inside a Russian airbase in the middle of Afghanistan,” James Bond retorts.
From other mouths, perhaps even Roger Moore’s, the latter line’s quippis...
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Another Brick: On Identity, Politics, and “Stonewall”
Writing about Roland Emmerich’s Stonewall has been in the back of my mind since the project was announced in 2013, before the trailer, before the promo images. Its presence in my mind as something to consider in any sense was twofold: first, as a newly out que...
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“Z for Zachariah” Is Promising, But Frustrating
Recent post-apocalyptic films, from Zombieland to 28 Days Later have, to some degree kept their distance from religion—at least in an explicit sense. It's easy to link these world-weary genre pieces to theological themes in a more subtextual way, with very few...
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Persona of Interest: “Tom at the Farm”
In a tense scene in writer-director Xavier Dolan’s Tom at the Farm, the hulking Francis (Pierre-Yves Cardinal), his muscular form not hidden by his suit, pushes his deceased brother’s diminutive boyfriend Tom (Dolan), to the corner of a bathroom stall. They ar...
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