8 years ago
All posts by Kenji Fujishima
The Possibility of the Musical
Kenji Fujishima explores the connection between "La La Land" and the American remake of "Pennies from Heaven" in this essay.
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“Rules Don’t Apply” to Warren Beatty
Kenji Fujishima writes about Warren Beatty's long-awaited return to film, "Rules Don't Apply," in context of his directorial career.
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TIFF 2016 Dispatch: “Daguerreotype,” “Una,” “Moonlight,” and “Justin Timberlake + the Tennessee Kids”
Kenji Fujishima rounds up his TIFF 2016 experience with a dispatch of four final films.
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TIFF 2016 Dispatch: “A Quiet Passion” and “Voyage of Time: Life’s Journey”
Kenji Fujishima submits this dispatch from the Toronto International Film Festival on films by two Ter(r)ences: Davies and Malick.
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TIFF 2016 Dispatch: “American Honey,” “Elle,” and “After the Storm”
Kenji Fujishima submits this dispatch of the first films he's seen at the 2016 Toronto International Film Festival.
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Hopelessly romantic, experimental cinema: The films of José Luis Guerín
A look at the films of Catalan director José Luis Guerín, now playing at New York's Anthology Film Archives.
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“Eat Your Heart Out, ‘Out 1’!”: Ira Sachs on “Little Men”
Kenji Fujishima sits down with Ira Sachs, director of "Love is Strange" and "Little Men."
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The Subversive Machismo of “Aliens”
On its 30th anniversary, Kenji Fujishima writes about James Cameron's "Aliens," and its subversive approach to machismo in film.
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“Wiener-Dog” and the Enigma of Todd Solondz
Kenji Fujishima writes about the filmography of Todd Solondz in advance of his new film "Wiener-Dog."
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On Godard’s “Band of Outsiders”
Kenji Fujishima writes about Godard's 1964 film "Band of Outsiders" on the eve of its NY re-release.
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