9 years ago
All posts by Kyle Turner
She Thinks, Therefore She Becomes: The Catalytic Nature of “Don’t Think” in “Black Swan”
Songs in the Key of Cinema is a bi-weekly look at the use of songs in film and how that music fits within the context of the film as a whole and a place where we’ll cover the moments in cinema that were music to our eyes and ears.
“The only person standing...
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Inglorious Bastard: The Horror of “Singin’ in the Rain” and “A Clockwork Orange”
Songs in the Key of Cinema is a bi-weekly look at the use of songs in film and how that music fits within the context of the film as a whole and a place where we’ll cover the moments in cinema that were music to our eyes and ears.
I might have been eight or...
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Songs in the Key of Cinema: “Born to Be Wild” and the Provocation of Lars von Trier
Songs in the Key of Cinema is a bi-weekly look at the use of songs in film and how that music fits within the context of the film as a whole and a place where we’ll cover the moments in cinema that were music to our eyes and ears.
From putting his female pr...
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Songs in the Key of Cinema: The Magic in “The Moon Song” Heard in “Her”
Songs in the Key of Cinema is a bi-weekly look at the use of songs in film and how that music fits within the context of the film as a whole and a place where we’ll cover the moments in cinema that were music to our eyes and ears.
The number of films that ...
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Songs in the Key of Cinema: “Boom Boom” and Bond’s Masculinity in “Skyfall”
Songs in the Key of Cinema is a bi-weekly look at the use of songs in film and how that music fits within the context of the film as a whole and a place where we'll cover the moments in cinema that were music to our eyes and ears.
With that butter slathere...
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“U Want Me 2 Kill Him?”: Blurred (On)Line
I almost quit Twitter once. Despite my long love affair with the social network, I was nearly driven to delete everything, to terminate all social networks I used. But, because I am weak and have no will power, I did not. What drove me to almost act on this de...
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