8 years ago
All posts by Tina Hassannia
Another Way of Being a Woman
Tina Hassannia writes about Howard Hawks' seminal screwball comedy "His Girl Friday," now available on the Criterion Collection.
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TIFF 2016 Dispatch: “Nocturama,” “The Girl with All the Gifts,” and “Things to Come”
Tina Hassannia reviews "Nocturama," a new zombie film, and another Isabelle Huppert performance in this TIFF dispatch.
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TIFF 2016 Dispatch: “La La Land,” “Re (Assignment),” and “Colossal”
Tina Hassannia submits this dispatch of a trio of films premiering at the 2016 Toronto International Film Festival.
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TIFF 2016 Dispatch: “Personal Shopper,” “Manchester by the Sea,” and “Paterson”
Tina Hassannia submits this dispatch of the first few films she's seen at the 2016 Toronto International Film Festival.
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The Ultimate Meta-Performance: Kate Lyn Sheil on “Kate Plays Christine”
The American indie superstar talks to Tina Hassannia about the performance process and her latest role in Kate Plays Christine.
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Sofia Coppola’s “Marie Antoinette” at 10
Tina Hassannia writes an appreciation of Sofia Coppola's modernized 2006 take on the story of Marie Antoinette.
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What It Means To Be A Good Person: On Whit Stillman’s “Barcelona”
Tina Hassannia writes about Whit Stillman's 1994 film, now available on Criterion Collection Blu-ray.
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No Home Video: On Women-Directed Films
Boutique labels--including Criterion--speak up about why there aren't more female-directed films on home media.
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On Asghar Farhadi’s “Fireworks Wednesday”
An excerpt from Tina Hassannia's book, focusing on Asghar Farhadi's "Fireworks Wednesday."
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All About Eve: “The Lady Eve” at 75
Tina Hassannia on the Preston Sturges screwball classic upon its platinum anniversary.
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