• Home
  • Longform
    • Defanging the Unthinkable
      more
      View more

      Defanging the Unthinkable

      8 years ago
    • A Fitting, Impressive Goodbye
      more
      View more

      A Fitting, Impressive Goodbye

      8 years ago
    • The Ambivalent, Bittersweet "My Life as a Zucchini"
      more
      View more

      The Ambivalent, Bittersweet "My Life as a Zucchini"

      8 years ago
    • The Complex Morality of "No Country for Old Men"
      more
      View more

      The Complex Morality of "No Country for Old Men"

      8 years ago
  • Interviews
    • A New Way of Telling Love Stories
      more
      View more

      A New Way of Telling Love Stories

      8 years ago
    • Breaking Standards with Julian Rosefeldt of "Manifesto"
      more
      View more

      Breaking Standards with Julian Rosefeldt of "Manifesto"

      8 years ago
    • Indulging Mightily with Alex Ross Perry and the "Golden Exits" Cast
      more
      View more

      Indulging Mightily with Alex Ross Perry and the "Golden Exits" Cast

      8 years ago
    • The Ultimate Meta-Performance: Kate Lyn Sheil on "Kate Plays Christine"
      more
      View more

      The Ultimate Meta-Performance: Kate Lyn Sheil on "Kate Plays Christine"

      9 years ago
  • Critic-At-Large
    • Now Playing: "From Nowhere"
      more
      View more

      Now Playing: "From Nowhere"

      8 years ago
    • Now Playing: "Fifty Shades Darker"
      more
      View more

      Now Playing: "Fifty Shades Darker"

      8 years ago
    • Now Playing: "War on Everyone"
      more
      View more

      Now Playing: "War on Everyone"

      8 years ago
    • Now Playing: "The Salesman"
      more
      View more

      Now Playing: "The Salesman"

      8 years ago
  • Podcast
    • Mousterpiece Cinema, Episode 287: "Kundun"
      more
      View more

      Mousterpiece Cinema, Episode 287: "Kundun"

      8 years ago
    • Mousterpiece Cinema, Episode 286: "Pinocchio"
      more
      View more

      Mousterpiece Cinema, Episode 286: "Pinocchio"

      8 years ago
    • Mousterpiece Cinema, Episode 285: "That Darn Cat"
      more
      View more

      Mousterpiece Cinema, Episode 285: "That Darn Cat"

      8 years ago
    • Mousterpiece Cinema, Episode 284: "The Princess Diaries 2: Royal Engagement"
      more
      View more

      Mousterpiece Cinema, Episode 284: "The Princess Diaries 2: Royal Engagement"

      8 years ago
Movie Mezzanine
  • Home
  • Longform
    • Defanging the Unthinkable
      more
      View more

      Defanging the Unthinkable

      8 years ago
    • A Fitting, Impressive Goodbye
      more
      View more

      A Fitting, Impressive Goodbye

      8 years ago
    • The Ambivalent, Bittersweet "My Life as a Zucchini"
      more
      View more

      The Ambivalent, Bittersweet "My Life as a Zucchini"

      8 years ago
    • The Complex Morality of "No Country for Old Men"
      more
      View more

      The Complex Morality of "No Country for Old Men"

      8 years ago
  • Interviews
    • A New Way of Telling Love Stories
      more
      View more

      A New Way of Telling Love Stories

      8 years ago
    • Breaking Standards with Julian Rosefeldt of "Manifesto"
      more
      View more

      Breaking Standards with Julian Rosefeldt of "Manifesto"

      8 years ago
    • Indulging Mightily with Alex Ross Perry and the "Golden Exits" Cast
      more
      View more

      Indulging Mightily with Alex Ross Perry and the "Golden Exits" Cast

      8 years ago
    • The Ultimate Meta-Performance: Kate Lyn Sheil on "Kate Plays Christine"
      more
      View more

      The Ultimate Meta-Performance: Kate Lyn Sheil on "Kate Plays Christine"

      9 years ago
  • Critic-At-Large
    • Now Playing: "From Nowhere"
      more
      View more

      Now Playing: "From Nowhere"

      8 years ago
    • Now Playing: "Fifty Shades Darker"
      more
      View more

      Now Playing: "Fifty Shades Darker"

      8 years ago
    • Now Playing: "War on Everyone"
      more
      View more

      Now Playing: "War on Everyone"

      8 years ago
    • Now Playing: "The Salesman"
      more
      View more

      Now Playing: "The Salesman"

      8 years ago
  • Podcast
    • Mousterpiece Cinema, Episode 287: "Kundun"
      more
      View more

      Mousterpiece Cinema, Episode 287: "Kundun"

      8 years ago
    • Mousterpiece Cinema, Episode 286: "Pinocchio"
      more
      View more

      Mousterpiece Cinema, Episode 286: "Pinocchio"

      8 years ago
    • Mousterpiece Cinema, Episode 285: "That Darn Cat"
      more
      View more

      Mousterpiece Cinema, Episode 285: "That Darn Cat"

      8 years ago
    • Mousterpiece Cinema, Episode 284: "The Princess Diaries 2: Royal Engagement"
      more
      View more

      Mousterpiece Cinema, Episode 284: "The Princess Diaries 2: Royal Engagement"

      8 years ago
  • Home
  • Longform
    • Defanging the Unthinkable
      more
      View more

      Defanging the Unthinkable

      8 years ago
    • A Fitting, Impressive Goodbye
      more
      View more

      A Fitting, Impressive Goodbye

      8 years ago
    • The Ambivalent, Bittersweet "My Life as a Zucchini"
      more
      View more

      The Ambivalent, Bittersweet "My Life as a Zucchini"

      8 years ago
    • The Complex Morality of "No Country for Old Men"
      more
      View more

      The Complex Morality of "No Country for Old Men"

      8 years ago
  • Interviews
    • A New Way of Telling Love Stories
      more
      View more

      A New Way of Telling Love Stories

      8 years ago
    • Breaking Standards with Julian Rosefeldt of "Manifesto"
      more
      View more

      Breaking Standards with Julian Rosefeldt of "Manifesto"

      8 years ago
    • Indulging Mightily with Alex Ross Perry and the "Golden Exits" Cast
      more
      View more

      Indulging Mightily with Alex Ross Perry and the "Golden Exits" Cast

      8 years ago
    • The Ultimate Meta-Performance: Kate Lyn Sheil on "Kate Plays Christine"
      more
      View more

      The Ultimate Meta-Performance: Kate Lyn Sheil on "Kate Plays Christine"

      9 years ago
  • Critic-At-Large
    • Now Playing: "From Nowhere"
      more
      View more

      Now Playing: "From Nowhere"

      8 years ago
    • Now Playing: "Fifty Shades Darker"
      more
      View more

      Now Playing: "Fifty Shades Darker"

      8 years ago
    • Now Playing: "War on Everyone"
      more
      View more

      Now Playing: "War on Everyone"

      8 years ago
    • Now Playing: "The Salesman"
      more
      View more

      Now Playing: "The Salesman"

      8 years ago
  • Podcast
    • Mousterpiece Cinema, Episode 287: "Kundun"
      more
      View more

      Mousterpiece Cinema, Episode 287: "Kundun"

      8 years ago
    • Mousterpiece Cinema, Episode 286: "Pinocchio"
      more
      View more

      Mousterpiece Cinema, Episode 286: "Pinocchio"

      8 years ago
    • Mousterpiece Cinema, Episode 285: "That Darn Cat"
      more
      View more

      Mousterpiece Cinema, Episode 285: "That Darn Cat"

      8 years ago
    • Mousterpiece Cinema, Episode 284: "The Princess Diaries 2: Royal Engagement"
      more
      View more

      Mousterpiece Cinema, Episode 284: "The Princess Diaries 2: Royal Engagement"

      8 years ago
“The Sleepwalker”
  • Theatrical

“The Sleepwalker”

  • by Amir Soltani
  • November 21, 2014
  • 0
  • 5858

In Mona Fastvold’s debut feature, The Sleepwalker, Kaia (Gitte Witt) and Andrew (Christopher Abbott) are a young couple who have recently began residing in the former’s paternal house, a remote and gargantuan building surrounded with untamed nature and filled with remnants of a family whose dysfunctions are plain even in small, dusty photographs. Their serene stay consists of a gradual attempt at renovating the place, which is cut short by the abrupt entrance of Kaia’s sister, Christine (Stephanie Ellis). Christine is a troubled young woman whose nervous gestures betray something deeply broken inside her. Shortly after it is revealed that she is pregnant, her fiancé, Ira (Brady Corbet) also arrives, completing a quartet that is no less problematic than the original family.

Christine is soon proved to be the sleepwalker of the title, though not before an increasingly uncomfortable dinner-table conversation reveals a mysterious past relationship between her and Andrew. The primary force of the plot is the mystery surrounding their childhood and their potentially abusive father. The large burn marks on Kaia’s body are particularly a source of intrigue: possibly the result of a violent fire set to the home’s garage by Christine or a severe punishment by their absent father, or perhaps some other unknown secret the film cares little to expand upon.

These mysterious elements allow Fastvold – who co-wrote the film with Corbet – to create an eerie ambience that feels genuinely terrifying at times. One particular sequence, in which Andrew leaves the house for the next-door garage at night induces horror with such nonchalant ease that one wonders what could have been if a first-time director of such confidence had better material on paper to work with. For every moment of brilliance as such, there is one in which a clichéd horror trope is used to pointless effect – a knife for a birthday gift!

As the film progresses, the tenuous relationship between Andrew and the newcomers sours further and finally reaches a tipping point after Christine disappears during one of her sleepwalking sessions. Like any other thriller with pretensions of cool, there are suggestive moments of sexuality, all of which look exciting until one stops to realize that none of them make any sense in the grand scheme of things. Why we see Christine masturbate in her sleep is not meant so much to have any meaning as it is to create a vague sense of curiosity in the audience. Yet, ambiguity, creepy and uneasy as it might be, does not a great horror film make.

Corbet and Abbott – who both deliver strong performances – have previously co-starred in another inappropriately sexual, coolly stylized thriller with hazy characterizations and an open ending, but the difference between the two films is staggering. The untied narrative threads in that earlier collaboration – Martha Marcy May Marlene – emphasized the story’s sense of unending terror, hence leaving the audience with a feeling of inescapability. Here, the story feels lazily unfinished because of these loose ends. In attempting to subvert our expectations of the genre, The Sleepwalker concerns itself with formal details and momentary pleasures that cannot mask the film’s regrettable lack of thematic depth.

Grade: C

Tags
  • 0
  • 0
  • 0
  • 0
  • 0
  • 0

Related posts

  • KenjiF
5
“Anomalisa” Is A Genuinely Enlivening Work of Art

“Anomalisa” Is A Genuinely Enlivening Work of Art

9 years ago
  • JakeCole
16
Back to Basics in “Star Wars: The Force Awakens”

Back to Basics in “Star Wars: The Force Awakens”

9 years ago
  • Tomris Laffly
6
David O. Russell’s Fulfilling “Joy”

David O. Russell’s Fulfilling “Joy”

9 years ago

One thought on ““The Sleepwalker””

  1. Pingback: "The Sleepwalker (2014)” Movie Review : FridayMojo

About Us

Movie Mezzanine is an online publication dedicated to covering the medium that connects us all, one film at a time. With writers stationed around the globe, we offer a uniquely diverse perspective on cinema, both old and new. To learn more about us, go here.

Spotlight

Putting the Geek to the Plow

Cleantalk Pixel