• Home
  • Longform
    • Defanging the Unthinkable
      more
      View more

      Defanging the Unthinkable

      9 years ago
    • A Fitting, Impressive Goodbye
      more
      View more

      A Fitting, Impressive Goodbye

      9 years ago
    • The Ambivalent, Bittersweet "My Life as a Zucchini"
      more
      View more

      The Ambivalent, Bittersweet "My Life as a Zucchini"

      9 years ago
    • The Complex Morality of "No Country for Old Men"
      more
      View more

      The Complex Morality of "No Country for Old Men"

      9 years ago
  • Interviews
    • A New Way of Telling Love Stories
      more
      View more

      A New Way of Telling Love Stories

      9 years ago
    • Breaking Standards with Julian Rosefeldt of "Manifesto"
      more
      View more

      Breaking Standards with Julian Rosefeldt of "Manifesto"

      9 years ago
    • Indulging Mightily with Alex Ross Perry and the "Golden Exits" Cast
      more
      View more

      Indulging Mightily with Alex Ross Perry and the "Golden Exits" Cast

      9 years ago
    • The Ultimate Meta-Performance: Kate Lyn Sheil on "Kate Plays Christine"
      more
      View more

      The Ultimate Meta-Performance: Kate Lyn Sheil on "Kate Plays Christine"

      9 years ago
  • Critic-At-Large
    • Now Playing: "From Nowhere"
      more
      View more

      Now Playing: "From Nowhere"

      9 years ago
    • Now Playing: "Fifty Shades Darker"
      more
      View more

      Now Playing: "Fifty Shades Darker"

      9 years ago
    • Now Playing: "War on Everyone"
      more
      View more

      Now Playing: "War on Everyone"

      9 years ago
    • Now Playing: "The Salesman"
      more
      View more

      Now Playing: "The Salesman"

      9 years ago
  • Podcast
    • Mousterpiece Cinema, Episode 287: "Kundun"
      more
      View more

      Mousterpiece Cinema, Episode 287: "Kundun"

      9 years ago
    • Mousterpiece Cinema, Episode 286: "Pinocchio"
      more
      View more

      Mousterpiece Cinema, Episode 286: "Pinocchio"

      9 years ago
    • Mousterpiece Cinema, Episode 285: "That Darn Cat"
      more
      View more

      Mousterpiece Cinema, Episode 285: "That Darn Cat"

      9 years ago
    • Mousterpiece Cinema, Episode 284: "The Princess Diaries 2: Royal Engagement"
      more
      View more

      Mousterpiece Cinema, Episode 284: "The Princess Diaries 2: Royal Engagement"

      9 years ago
Movie Mezzanine
  • Home
  • Longform
    • Defanging the Unthinkable
      more
      View more

      Defanging the Unthinkable

      9 years ago
    • A Fitting, Impressive Goodbye
      more
      View more

      A Fitting, Impressive Goodbye

      9 years ago
    • The Ambivalent, Bittersweet "My Life as a Zucchini"
      more
      View more

      The Ambivalent, Bittersweet "My Life as a Zucchini"

      9 years ago
    • The Complex Morality of "No Country for Old Men"
      more
      View more

      The Complex Morality of "No Country for Old Men"

      9 years ago
  • Interviews
    • A New Way of Telling Love Stories
      more
      View more

      A New Way of Telling Love Stories

      9 years ago
    • Breaking Standards with Julian Rosefeldt of "Manifesto"
      more
      View more

      Breaking Standards with Julian Rosefeldt of "Manifesto"

      9 years ago
    • Indulging Mightily with Alex Ross Perry and the "Golden Exits" Cast
      more
      View more

      Indulging Mightily with Alex Ross Perry and the "Golden Exits" Cast

      9 years ago
    • The Ultimate Meta-Performance: Kate Lyn Sheil on "Kate Plays Christine"
      more
      View more

      The Ultimate Meta-Performance: Kate Lyn Sheil on "Kate Plays Christine"

      9 years ago
  • Critic-At-Large
    • Now Playing: "From Nowhere"
      more
      View more

      Now Playing: "From Nowhere"

      9 years ago
    • Now Playing: "Fifty Shades Darker"
      more
      View more

      Now Playing: "Fifty Shades Darker"

      9 years ago
    • Now Playing: "War on Everyone"
      more
      View more

      Now Playing: "War on Everyone"

      9 years ago
    • Now Playing: "The Salesman"
      more
      View more

      Now Playing: "The Salesman"

      9 years ago
  • Podcast
    • Mousterpiece Cinema, Episode 287: "Kundun"
      more
      View more

      Mousterpiece Cinema, Episode 287: "Kundun"

      9 years ago
    • Mousterpiece Cinema, Episode 286: "Pinocchio"
      more
      View more

      Mousterpiece Cinema, Episode 286: "Pinocchio"

      9 years ago
    • Mousterpiece Cinema, Episode 285: "That Darn Cat"
      more
      View more

      Mousterpiece Cinema, Episode 285: "That Darn Cat"

      9 years ago
    • Mousterpiece Cinema, Episode 284: "The Princess Diaries 2: Royal Engagement"
      more
      View more

      Mousterpiece Cinema, Episode 284: "The Princess Diaries 2: Royal Engagement"

      9 years ago
  • Home
  • Longform
    • Defanging the Unthinkable
      more
      View more

      Defanging the Unthinkable

      9 years ago
    • A Fitting, Impressive Goodbye
      more
      View more

      A Fitting, Impressive Goodbye

      9 years ago
    • The Ambivalent, Bittersweet "My Life as a Zucchini"
      more
      View more

      The Ambivalent, Bittersweet "My Life as a Zucchini"

      9 years ago
    • The Complex Morality of "No Country for Old Men"
      more
      View more

      The Complex Morality of "No Country for Old Men"

      9 years ago
  • Interviews
    • A New Way of Telling Love Stories
      more
      View more

      A New Way of Telling Love Stories

      9 years ago
    • Breaking Standards with Julian Rosefeldt of "Manifesto"
      more
      View more

      Breaking Standards with Julian Rosefeldt of "Manifesto"

      9 years ago
    • Indulging Mightily with Alex Ross Perry and the "Golden Exits" Cast
      more
      View more

      Indulging Mightily with Alex Ross Perry and the "Golden Exits" Cast

      9 years ago
    • The Ultimate Meta-Performance: Kate Lyn Sheil on "Kate Plays Christine"
      more
      View more

      The Ultimate Meta-Performance: Kate Lyn Sheil on "Kate Plays Christine"

      9 years ago
  • Critic-At-Large
    • Now Playing: "From Nowhere"
      more
      View more

      Now Playing: "From Nowhere"

      9 years ago
    • Now Playing: "Fifty Shades Darker"
      more
      View more

      Now Playing: "Fifty Shades Darker"

      9 years ago
    • Now Playing: "War on Everyone"
      more
      View more

      Now Playing: "War on Everyone"

      9 years ago
    • Now Playing: "The Salesman"
      more
      View more

      Now Playing: "The Salesman"

      9 years ago
  • Podcast
    • Mousterpiece Cinema, Episode 287: "Kundun"
      more
      View more

      Mousterpiece Cinema, Episode 287: "Kundun"

      9 years ago
    • Mousterpiece Cinema, Episode 286: "Pinocchio"
      more
      View more

      Mousterpiece Cinema, Episode 286: "Pinocchio"

      9 years ago
    • Mousterpiece Cinema, Episode 285: "That Darn Cat"
      more
      View more

      Mousterpiece Cinema, Episode 285: "That Darn Cat"

      9 years ago
    • Mousterpiece Cinema, Episode 284: "The Princess Diaries 2: Royal Engagement"
      more
      View more

      Mousterpiece Cinema, Episode 284: "The Princess Diaries 2: Royal Engagement"

      9 years ago
Top 10 English-speaking Movies that Require Subtitles
  • List

Top 10 English-speaking Movies that Require Subtitles

  • by Alex Withrow
  • May 28, 2013
  • 0
  • 13600

Whether movie characters talk fast or have insanely thick accents (or both), sometimes subtitles work better for films, even when they’re speaking your language. And make no mistake, I love each of the films below, I’m just having a little fun with their unintelligible vernacular.

And believe me, I know I’m a silly American who can’t decipher certain foreign dialects. Fair enough. But mockery aside, make sure to tell me some films you have trouble with.

Out of the Past (1947)

Out of the Past

Really, any film noir could be listed here, I only chose Out of the Past because it is my favorite. The brisk cadence of male noir characters can only be fully appreciated with accompanying subtitles. To me, anyway. The Maltese Falcon, Double Indemnity, The Killers, Out of the Past – take your pick, they’re all more fun with words.

A Clockwork Orange (1971)

A Clockwork Orange

More so than subtitles, I need a Cockney dictionary to understand everything Alex DeLarge and his droogs carry on about. But admittedly, not knowing is part of the fun. Viddy well, little brother.

Network (1976)

Network

Not only do Paddy Chayefsky’s words fly off tongues at lightning speed, they are damn smart to boot. I honestly believe that by reading this film, you can actually become smarter. Every word is meticulously placed.

Glengarry Glen Ross (1992)

Glengarry Glen Ross

My sentiments for this David Mamet script almost mirror those for Network, but Glengarry Glen Ross has an added bonus. If you’re ever in need of better, more creative ways to put someone down, let Mamet’s profane-laden masterpiece guide you.

Trainspotting (1996)

Trainspotting

According to Entertainment Weekly, before Trainspotting was released stateside, director Danny Boyle dubbed over dialogue to help American audiences slog through the film’s many thick Scottish accents. Many thanks, Danny boy.

Snatch (2000)

Snatch

Brad Pitt is so purposefully difficult to understand in this movie, that if you actually do watch Snatch with the subtitles on, there’s an entire scene in which Pitt’s words are subtitled as “?”

Sexy Beast (2001)

Sexy Beast

I love the verbal juxtaposition between Ray Winstone’s laid back, retired mafia man to Ben Kingsley’s grab-you-by-the-throat whack job. Kingsley has said he based his deranged character in this film on his own grandmother. What a lovely tribute.

Brick (2005)

Brick

I loved film noir long before I watched Rian Johnson’s shifty high school crime thriller, Brick. But the entire time I watched this movie, I kept thinking: “Huh?” Don’t get me wrong, Brick is a great tribute to the films of yesteryear, but it’s a whole lot more fun with the subs running.

Hunger (2008)

Hunger film

If you do watch Steve McQueen’s masterpiece with the subtitles, most of your time will be spent reading words like: (Screams), (Baton slams), (Gunshot), (Sink runs) and so on. But for that epic conversation, subtitles really do make all the difference.

Fish Tank (2009)

Fish Tank

Despite the fact that I have trouble understanding every single word that star Katie Jarvis says in this film, it’s still one of the finest acting debuts I’ve ever seen. Seriously, where did Andrea Arnold find this little hellfire? Oh, right, arguing with her boyfriend at a railway station. Jarvis was cast, in part, because of how vehemently she speaks. Imagine that.

  • 0
  • 0
  • 0
  • 0
  • 0
  • 0

Related posts

  • JustineSmith
17
The 20 Best French Horror Films Ever

The 20 Best French Horror Films Ever

10 years ago
  • EricDSnider
17
The Film Festival Blurb Generator

The Film Festival Blurb Generator

10 years ago
  • MovieMezzanine
13
Halftime Report: The Best Movies of 2015 So Far

Halftime Report: The Best Movies of 2015 So Far

10 years ago

16 thoughts on “Top 10 English-speaking Movies that Require Subtitles”

  1. Christopher Runyon on May 28, 2013 at 1:02 PM said:

    I actually never had a problem with understanding anything in Fish Tank, but the rest of this list, especially Trainspotting, is pretty spot-on. Only problem: You forgot to mention the Red Riding Trilogy.

    • Alex Withrow on May 28, 2013 at 1:07 PM said:

      Ohhhh shit, you are dead on with the Red Riding Trilogy. So hard to understand. I watched that right around the time Netflix started including subs with their streaming service. Thank God.

  2. Nikhat Zahra on May 28, 2013 at 1:44 PM said:

    Oh yes, subtitles in Trainspotting is a must. I would never watch Snatch with subtitles. It’s so much more fun like that.

    I remember needing subtitles for True Grit.

    • Alex Withrow on May 28, 2013 at 4:27 PM said:

      Okay I’m actually curious… are American southern accents hard for you to distinguish or understand. I’ve always wondered that.

      • Nikhat Zahra on May 28, 2013 at 9:59 PM said:

        Sometimes they are. In this case, Jeff Bridges’s voice was so gruff and then there was the accent and I couldn’t understand anything he was saying.

        • Alex Withrow on May 30, 2013 at 6:09 AM said:

          Gotcha. Kinda like Nick Nolte in Warrior… you sort of have to go with it and assume what’s being said. Ha.

  3. SDG on May 28, 2013 at 1:49 PM said:

    Love this list. Not only because of the movies in it but also because you got so many things about subs right. I never understand why they do (door opens), (voice fads)? Why do we need it? I mean, I have even seen a silent movie having subtitles. Whole 80-90 minutes of… doors opening and things dropping. It’s hilarious!

    I saw The Treasure of the Sierra Madre this month as Blind Spot. I wrote about it in the poast as well but they talk really fast in that movie throughout but specifically, in a scene when they find traces of gold. Walter Huston just goes crazy in that moment. I had no idea he was saying and he goes on for more than a minute.

    On a serious note, almost every Irish/Scottish film I have seen needs subtitles. Snatch, Fish Tank, Hunger, Trainspotting. I even needed them for Kes and In Bruges.

    • Alex Withrow on May 28, 2013 at 4:31 PM said:

      Well actually, most of those (Door slams), (Glass breaks) subtitles are for people who are deaf. So they know that a door has slammed off screen, even if the movie doesn’t show it.

      Interesting about Sierra Madre…. but you’re so right. Old Walter goes nuts in that moment.

      Kes was my number 11. That’s a tough one right there.

  4. Margaret on May 28, 2013 at 2:35 PM said:

    Yep, I wouldn’t understand any of Hunger lines without subtitles.

    • Alex Withrow on May 28, 2013 at 4:28 PM said:

      Tricky stuff, right? So so fast.

  5. Steven Flores on May 28, 2013 at 3:33 PM said:

    There’s some films in that films I didn’t have problems with understanding though I will agree with you that subtitles are needed like “Snatch” and “Trainspotting”. I also think “The Red Riding Trilogy” should’ve gotten some subtitles.

    • Alex Withrow on May 28, 2013 at 4:28 PM said:

      The Red Riding Trilogy is definitely a great call. I could barely understand what the hell was being said in that movie.

  6. Teddy Casimir on May 29, 2013 at 6:15 PM said:

    Ha, I came here to see if Trainspotting had made the list. I still haven’t made it past the first 10 mins of that film because my friend’s copy had no subtitles. As for Clockwork, a lot of the dialogue is unintelligible and you often understand what was said only through context, but somehow it works.
    And am I the only one who needed subtitles for Gosford Park? I fell asleep through that one because I couldn’t understand a thing! British accents are not my forte.

    • Alex Withrow on May 30, 2013 at 6:10 AM said:

      I completely agree about A Clockwork Orange. Subs don’t fully help with that one, but knowing what they’re saying (even without context) makes it more fun for me.

      Gosford Park is a great pick. That’s a tricky one right there.

  7. Eric on June 2, 2013 at 3:54 PM said:

    Oh man, this list is perfect. I really wish I could have seen Out of the Past with subtitles on — I loved the film, but I’m sure I missed out on some brilliant lines here and there. And yeah, completely agree about Snatch. Pretty much any Guy Ritchie could fit in here, I think.

  8. Will on June 24, 2013 at 6:33 PM said:

    I just wanted to add that while Trainspotting is a great choice, its understandability is easy compared to another Irvine Welsh adaptation called The Acid House. That film’s “English” is so unintelligible that Netflix Instant just runs it with English subtitles. I’m sure it’s a big barrier to a lot of people even with the subs, which is a shame because it’s a good movie.

About Us

Movie Mezzanine is an online publication dedicated to covering the medium that connects us all, one film at a time. With writers stationed around the globe, we offer a uniquely diverse perspective on cinema, both old and new. To learn more about us, go here.

Spotlight

Putting the Geek to the Plow

Cleantalk Pixel