Sucker Punch (2011) | Directed by Zack Snyder
Though it is difficult to come to Zack Snyder’s defense in most cases, I remain steadfast in my support of Sucker Punch as a trashy masterpiece. I may be naive, but I find something of value within his hypersexualized ass-kicking women taking on traditionally male genre elements and owning them (even if there are issues with that). Taking Snyder’s style to its furthest indulgence (paring him down in Man of Steel was only a detriment to that film) is something of a bullheaded move, but it’s inspired. It may be gobbletygook, but it is remarkably fun.
Labyrinth (1986) | Directed by Jim Henson
With great music, gorgeous set pieces and Henson’s predictably great puppetry, not to mention David Bowie in an absolutely ridiculous role, Labyrinth dominates its narrative shortcomings. There is much to enjoy here, enshrouded as it is with Henson’s signature magic, so that it represents trash entertainment’s delightful ability to elevate a quote-unquote “bad” film with something else, whatever it may be, that gives it life.
The Devil’s Rejects (2005) | Directed by Rob Zombie
You can add commentary to Zombie’s bombastic gorefest (and I have), but it would be a trashterpiece if only for its impressive grindhouse visuals and psychotic (and hilarious) script. The best trash cinema (and, it could be argued, the best cinema) refuses to ever hold back, something that Zombie is keen to adhere to with his increasingly perverse and demented depictions of madness on beautiful display here. Trash entertainment, the home of the twisted genius.
